5.0 out of 5 stars Good Book Therapy. We all Need It., September 24, 2010
By chefchick - See all my reviews
This review is from: Therapy: A Novel (Paperback)
A good read always makes me feel better. "Therapy - A Novel" made me feel good. I've never been a fan of therapy or therapists. I've really only been to therapy once, during my divorce. The therapy here, in the novel, consists mainly of stories from Barbara's life; her childhood, married life and motherhood experiences.
Somehow I think I gleaned a little therapy for myself in reading Barbara's story. Her voice, and the very vivid memories she has of her family, and her experiences as a young woman and mother, were so well-written, touching, funny, and for me, so relatable.
I enjoyed this book because it surprised me too. It held no cliches.
I read a great deal and many times I can predict what will happen in a novel. But Barbara's life, like my own, is totally unpredictable. The best part, rather than merely soul-searching, or going on some stupid eat pray love roadtrip, and accepting the lousy slump of her life, (like I think most people, especially women are expected to do), she makes drastic changes, grabs life by the balls, and finds more happiness.
This is not a self-help book, I never read that crap.
I get my therapy from unexpected sources, great song lyrics, a special sunrise, something sweet my kids say, like a pill in jelly, this book.
This is a blog about me and what prompted me to write THERAPY:A NOVEL. It is also an interactive blog and I want your comments. If you've had therapy, have you had experiences like Barbara has in the novel? What do you think of Barbara? Is she someone you can admire? Why or why not?
Showing posts with label therapy. Show all posts
Showing posts with label therapy. Show all posts
Tuesday, October 26, 2010
Readers say... (on Amazon)
5.0 out of 5 stars Excellent book, September 28, 2010
By Janice Schuster - See all my reviews
This review is from: Therapy: A Novel (Paperback)
I found it hard to put this book down and stayed up too late one night to finish it. It is well written and the characters are highly interesting, especially the main character, Barbara. The book captures Barbara's feelings and her relationships with everyone and brings home the fact that being accomplished and well thought of does not necessarily make one happy. The dialogue is real and captures conversations that I'm sure frequently do happen between therapists and their clients. Harrie Rose is a talented writer who really should write more fiction. She captures and conveys settings (New England), plots, and characters with ease and draws the reader in to the story very quickly.
By Janice Schuster - See all my reviews
This review is from: Therapy: A Novel (Paperback)
I found it hard to put this book down and stayed up too late one night to finish it. It is well written and the characters are highly interesting, especially the main character, Barbara. The book captures Barbara's feelings and her relationships with everyone and brings home the fact that being accomplished and well thought of does not necessarily make one happy. The dialogue is real and captures conversations that I'm sure frequently do happen between therapists and their clients. Harrie Rose is a talented writer who really should write more fiction. She captures and conveys settings (New England), plots, and characters with ease and draws the reader in to the story very quickly.
Readers say... (on Amazon)
5.0 out of 5 stars Wonderful Book, October 18, 2010
By J. L. Knox "Musical Chairs" (USA) -
I read this book after reading Franzen's Freedom, and I was thankful for this timing. I enjoyed Franzen's book, and it was definitely a different, more all-encompassing (macro) structure, but the circumstantial similarities between the books are there. As I read Therapy, I was exposed to a character who, like Franzen's protagonist (Patty), has endured abuse and suffered mental upset. Franzen’s Patty, like Rose’s Barbara, is retracing her tale through the lens of personal psychological discovery; unlike Franzen's book, however, this novel is centered on Barbara's plight alone so we get to zoom in on her life, listen to her thoughts in a more in-depth way. Moreover, Barbara is believable. She's three-dimensional; she's self-sufficient; she's confused and yet not helpless; she's not merely looking for someone to rescue her or define her life. Instead, she is searching for her identity and the root of her pain, searching to define her own standards in a relationship, and yet she's doing so in what is actually a far more self-realizing decade than that of many coming-of-age novels/memoirs.
This book is important in that it breaks apart many common dilemmas men and women face in self-realization, and yet it does so without being overly sentimental or preachy. It also investigates the multi-faceted (and very personal, in this case) relationship between a psychologist and patient. It offers insight into what can happen when we rely too much on external forces to fight an internal battle. Perhaps most important, the book is well-written and moves seamlessly. I recommend it to anyone who's the least bit interested in psychology.
By J. L. Knox "Musical Chairs" (USA) -
I read this book after reading Franzen's Freedom, and I was thankful for this timing. I enjoyed Franzen's book, and it was definitely a different, more all-encompassing (macro) structure, but the circumstantial similarities between the books are there. As I read Therapy, I was exposed to a character who, like Franzen's protagonist (Patty), has endured abuse and suffered mental upset. Franzen’s Patty, like Rose’s Barbara, is retracing her tale through the lens of personal psychological discovery; unlike Franzen's book, however, this novel is centered on Barbara's plight alone so we get to zoom in on her life, listen to her thoughts in a more in-depth way. Moreover, Barbara is believable. She's three-dimensional; she's self-sufficient; she's confused and yet not helpless; she's not merely looking for someone to rescue her or define her life. Instead, she is searching for her identity and the root of her pain, searching to define her own standards in a relationship, and yet she's doing so in what is actually a far more self-realizing decade than that of many coming-of-age novels/memoirs.
This book is important in that it breaks apart many common dilemmas men and women face in self-realization, and yet it does so without being overly sentimental or preachy. It also investigates the multi-faceted (and very personal, in this case) relationship between a psychologist and patient. It offers insight into what can happen when we rely too much on external forces to fight an internal battle. Perhaps most important, the book is well-written and moves seamlessly. I recommend it to anyone who's the least bit interested in psychology.
Friday, October 8, 2010
An Excerpt from my Novel
Well, I bit the bullet and gave a reading at a local bookstore. Of course, I was filled with dread. Would anyone even show up? Well, they did. Almost all the seats were taken. Some of the people had already read the book, which was good for discussion. Others, who had not, bought it after the reading. Of course, I signed them all.
The passage I read starts on p. 15. The book opened with Barbara's depression, which had resulted in her staying in bed all day for weeks. Then, she finally went to a psychiatrist. This excerpt describes what happened the next day.
The passage I read starts on p. 15. The book opened with Barbara's depression, which had resulted in her staying in bed all day for weeks. Then, she finally went to a psychiatrist. This excerpt describes what happened the next day.
The next morning, to my husband's surprise, I crawled out of bed at six o'clock, shoved my feet in beat up old sneakers, pulled a T-shirt over my head and raced out the front door. I felt a great urge to walk. Living deep in the country, I had my choice of hacking my way through overgrown woodland trails or walking on paved roads. That morning, I chose the roads, which were, as usual, quite deserted, with only the occasional car whooshing by.
It was early spring. The trees were pregnant with buds. The deep blue of the myrtle was creeping out of the woods. The forsythias were showing off their brilliant yellow branche in the first of the real flashy spring hows. The robins were back, hopping on the lawn, cocking their heads to hear worms in the soil. Swallows scissored against the blue skies, enjoying the Mayflies no doubt, those thick swarms of nasty little flies that got into your mouth and eyes if you dallied outside in the early evening when the sun was down but it was still light. They made ealy morning walks and Little League games a torment. When my sons were still children, good mommy that I was, I never missed a practice or a game. I sat and watched them try to thwack the ball after the interminable waiting for their turns. My boredom was rofound, my discomfort from biting bugs agonizing. Still, I never told anybody how I hated Little League.
Tuesday, August 24, 2010
Why I wrote the novel Therapy
Many of the people I know have been or are in therapy. I also have been. I was lucky. My psychiatrist was gay, a very compassionate and insightful man. Others, however, have told me stories of how their shrinks pushed them into decisions, or fell asleep while they were talking. All of them complained that their therapists said very little, and they wondered if they were even listening. I knew when I went into therapy that therapists are trained not to speak much, but to let patients talk freely. Therapists aren't supposed to judge or give overt advice, although some do. Even if they don't, their body motions and facial movements often give away their feelings and patients to pick up on those.
One of my friends, a male, remarked that "I always end up falling in love with my therapists." And I do know people who actually married them. My research into psychiatry spoke of transference, the patient's laying their own feelings on to the psychiarist, and countertransference, the psychiatrist's laying their feelings on to the patients. In the literature, this usually transpires when therapist and patient are of the opposite sex.
With my own background in communications, it occurred to me that there is something inherently romantic in psychoanalysis or other therapies. When you fall in live with somebody, usually the way you know it is that you find it easy to talk to the person. How often do people say, "The moment I met him, we just talked all night."
The therapeutic session is like a replay of falling in love: you just talk away and the more you talk , the more you reveal about yourself, the warmer you feel towards the therapist. I thought to myself, "suppose the therapist is a handsome, heterosexual young man and suppose he looks at the patient with glowing eyes--even stares in her eyes as lovers do." Then, that could induce the patient, especially if she is love-starved to fall in love with him. On his part, the very facts of the situation lead to his reciprocating that love. These facts are that she tells him so much, looks at him invitingly and angles her body towards him as you do when you are interested in somebody. Think of how warmly you feel towards a person when they confide in you, when they look in your eyes and pay close attention to you. All these things lead to falling in love.
However, I also know of a psychiatrist's professional ethics, He--or she--is supposed to excuse himself from the case as soon as he realizes there is a mutual attraction, or even a one-sided one. The therapist is not supposed to see the patient outside of the office at all or socialize with the patient in any way.
I took these twin situations, patient and therapist falling in love, and the forbidden love itself and wrote the novel. Why? Because it is a story, but also, I have known so many people who have not been cured by anything the therapist said. I have known others whose therapists relish the power they have over patients and use it to make the patient do things like leave their spouses! This happens more than people realize.
I am not against therapy per se. I knew therapy could be good and could be romance-free. My experience had no romance at all in it. Not only was the therapist overtly gay , but not attractive to me sexually. He didn't press me to take any courses of actions. He just asked judicious questions and let me figure out the answers myself.
However, in my imagination, I created a very different scenario, the scenario in Therapy: A Novel.
One of my friends, a male, remarked that "I always end up falling in love with my therapists." And I do know people who actually married them. My research into psychiatry spoke of transference, the patient's laying their own feelings on to the psychiarist, and countertransference, the psychiatrist's laying their feelings on to the patients. In the literature, this usually transpires when therapist and patient are of the opposite sex.
With my own background in communications, it occurred to me that there is something inherently romantic in psychoanalysis or other therapies. When you fall in live with somebody, usually the way you know it is that you find it easy to talk to the person. How often do people say, "The moment I met him, we just talked all night."
The therapeutic session is like a replay of falling in love: you just talk away and the more you talk , the more you reveal about yourself, the warmer you feel towards the therapist. I thought to myself, "suppose the therapist is a handsome, heterosexual young man and suppose he looks at the patient with glowing eyes--even stares in her eyes as lovers do." Then, that could induce the patient, especially if she is love-starved to fall in love with him. On his part, the very facts of the situation lead to his reciprocating that love. These facts are that she tells him so much, looks at him invitingly and angles her body towards him as you do when you are interested in somebody. Think of how warmly you feel towards a person when they confide in you, when they look in your eyes and pay close attention to you. All these things lead to falling in love.
However, I also know of a psychiatrist's professional ethics, He--or she--is supposed to excuse himself from the case as soon as he realizes there is a mutual attraction, or even a one-sided one. The therapist is not supposed to see the patient outside of the office at all or socialize with the patient in any way.
I took these twin situations, patient and therapist falling in love, and the forbidden love itself and wrote the novel. Why? Because it is a story, but also, I have known so many people who have not been cured by anything the therapist said. I have known others whose therapists relish the power they have over patients and use it to make the patient do things like leave their spouses! This happens more than people realize.
I am not against therapy per se. I knew therapy could be good and could be romance-free. My experience had no romance at all in it. Not only was the therapist overtly gay , but not attractive to me sexually. He didn't press me to take any courses of actions. He just asked judicious questions and let me figure out the answers myself.
However, in my imagination, I created a very different scenario, the scenario in Therapy: A Novel.
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